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The space drama The Martian, starring Matt Damon as an astronaut left stranded and alone on the red planet, debuted at the Toronto film festival earlier this month to positive reviews.

Ridley Scott. This article is more than 4 years old. Ben Child. Published on Wed 23 Sep They are given a great deal of power within the school infrastructure.

The senior boys are disciplinarians. In order to get into the elite, you have to be elected. You have to use strategy to win popularity.

This film is set in the s and this was really a training to become a member of the ruling class because these boys would go on to become diplomats, government ministers and they would run society.

They are being groomed to that. In the context of that era, there are boys that are not going to fit in.

The communism revolution across Europe creates this massive idealism, which runs contrary to that system. You also have a boy played by Rupert Everett , who realizes that his own homosexuality would limit him.

Even though there is nothing uncommon about it, you are supposed to keep it a secret. He learns subterfuge and he hides this side of him.

They both went to those schools and they were rendered idealistic by an alternative political system, radicalized as you might say in modern terminology.

I think we have our roots in that world, where the veneer is incredibly well-presented and carefully calibrated. Britishness, good manners and a suit offer a very good hiding place.

The British have a very stereotypical reputation of having this kind of presentation. FF: For the first time in your career, you had to do a lot of action scene.

Were you afraid of that? CF : Yes, I was. I saw a lot of my sports rehab person. They would pop the shoulder back in and send us back on.

It was intense. The training went on for three hours a day, every day for six months. I had to be turned from a rather lazy actor into an athlete.

We worked with Damien Walters, a famous Olympian gymnast and Rudolf Vrba, a six-time thai boxing champion.

This fellow points to Taron came a bit later along, so they had to be training him, while we were acting. I would go home after the end of the shoot and he had to stay and train.

FF: Well, you looked great in those scenes. Why did it take you so long in your career to play an action-heavy role like this? FF: What changed your mind then?

CF : What changed my mind was that I had to be there to do the job by the 1 st of November. FF: Maybe Liam Neeson can be your role model, a character actor turned action hero at a certain age.

After this experience, I would love to do it. It has been in my life for a year and then all I had to do was just walk around and point my suit at people again.

CF : Well, there is a physical rigor to it. He added two inches to his chest, his hands looked like the bottom of his feet and he lost seven pounds.

After the age of 50 I was very lucky that I got the chance to do something like that. I forced myself to do it because having accepted the part, I just had to do it.

When it was over, I asked myself why it took me so long. I thought I wasted a lot of time, when I could have enjoyed this.

FF: Speaking of the action: my favorite scene in the movie is probably the Kentucky church scene, with all its mayhem and craziness…. FF: How long did it take for you to shoot the scene and how much of your stunts did you do yourself?

CF : Pretty much all of them in that scene. It took about a week. There were some injuries that held us up. The difficulty in shooting that scene was that it was single camera.

Every scene had to be like a piece of theatre. We had to rehearse to get it right. You can take a piece here and a piece there. They were all single takes.

Every single of the sequences in it, which were consecutively joined together, had to be perfect. It had all to do with the choreography and the guy with the hand-held camera obviously had to be part of the choreography.

It was a big dance with different people. Everybody had to be synchronized. The pub fight was more conventional, it was intercut.

FF: Taron, Harry is a father figure and a teacher to Eggsy in the movie, but what did you, as a young actor, learn from Colin during the shoot?

How to eat properly. CF : Mushy peas, yeah…. FF: Oh do tell! We were chatting and I looked at Colin and he had a single pea perched atop of his glasses!

Something malfunctioned. CF : I should only be permitted dry food. TE : On a serious note, of course I gained tremendous amounts from Colin.

CF : Well, you were the same with me. I think one has to value that as well. You can be a difficult young person or a difficult old person.

TE : Colin would never say it this way, but of course it was a greater gesture for him to be inclusive of me than vice versa.

He was so unbelievably kind and lovely to me. CF : I spoke very badly of you behind your back. FF: The film sets itself up perfectly for a franchise.

Have there been talks about a sequel? TE : We gossiped about all the possible ideas. There is definitely scope for future stories. CF : Knowing Matthew, it would have to start with an idea that works.

It is not going to start with the thought that he must do a sequel. If something interesting and unexpected can be done, he will do it.

3 comments on “Filmfutter
  1. Tygogor says:

    Wacker, mir scheint es der bemerkenswerte Gedanke

  2. Tura says:

    Es ist die einfach ausgezeichnete Idee

  3. Nasida says:

    Also, und was weiter ist?